Ugly Over The Airwaves: Rightwing Domination Of Talk Radio, How To Stop It

Think Progress brings us a report that finally ends the myth of anything approaching "fairness" and balance in talk radio:

The Center for American Progress and Free Press today released the first-of-its-kind statistical analysis of the political make-up of talk radio in the United States. It confirms that talk radio, one of the most widely used media formats in America, is dominated almost exclusively by conservatives.

The new report — entitled “The Structural Imbalance of Political Talk Radio” — raises serious questions about whether the companies licensed to broadcast over the public radio airwaves are serving the listening needs of all Americans.

While progressive talk is making inroads on commercial stations, right-wing talk reigns supreme on America’s airwaves. Some key findings:

– In the spring of 2007, of the 257 news/talk stations owned by the top five commercial station owners, 91 percent of the total weekday talk radio programming was conservative, and only 9 percent was progressive.
– Each weekday, 2,570 hours and 15 minutes of conservative talk are broadcast on these stations compared to 254 hours of progressive talk — 10 times as much conservative talk as progressive talk.
– 76 percent of the news/talk programming in the top 10 radio markets is conservative, while 24 percent is progressive.

Maureen Dowd: "How We're Animalistic - In Good Ways and Bad"

[I've always suspected I was a churchmouse in a previous life; Bush was a fat rat.] Without further adieu, say Yo! to MoDo's May 30th column:

The odd thing is that conservatives wear pinstriped suits, when they really should be walking around in togas. The main contribution of the Greeks to modern American politics may have been Michael Dukakis, who once climbed the Acropolis in wingtips.

But that doesn’t stop conservatives — especially the Straussians who pushed for going into Iraq — from being obsessed with ancient Greece, and from believing that they are the successors to Plato and Homer in terms of the lofty ideals and nobility and character in American politics — while Democrats merely muck about with policies for the needy.

Harvey Mansfield, a leading Straussian who teaches political science at Harvard and who wrote a book called “Manliness” (he’s for it), gave the Jefferson lecture recently at the National Endowment for the Humanities in Washington.

It was an ode, as his book is, to “thumos,” the Greek word that means spiritedness, with flavors of ambition, pride and brute willfulness. Thumos, as Philip Kennicott wrote in The Washington Post, “is a word reinvented by conservative academics who need to put a fancy name on a political philosophy that boils down to ‘boys will be boys.’ ”

Mr. Mansfield did not mention the war, which is a downer at conclaves of neocons and thumos worshippers. But he explained that thumos is “the bristling reaction of an animal in face of a threat or a possible threat.” In thumos, he added, “we see the animality of man, for men (and especially males) often behave like dogs barking, snakes hissing, birds flapping. But precisely here we also see the humanity of the human animal” because it is reacting for “a reason, even for a principle, a cause. Only human beings get angry.”

The professor used an example, naturally, from ancient Greece to explain why politics should be about revolution rather than equilibrium: “What did Achilles do when his ruler Agamemnon stole his slave-girl? He raised the stakes. He asserted that the trouble was not in this loss alone but in the fact that the wrong sort of man was ruling the Greeks. Heroes, or at least he-men like Achilles, should be in charge rather than lesser beings like Agamemnon who have mainly their lineage to recommend them and who therefore do not give he-men the honors they deserve. Achilles elevated a civil complaint concerning a private wrong to a demand for a change of regime, a revolution in politics.” Mr. Mansfield concluded: “To complain of an injustice is an implicit claim to rule.”

Read the rest here.

Debunking The Myth of John Wayne-As-Celluloid War Hero

[Ed. note: When I was really little, one of my generation older siblings took me to Lime Rock Racetrack - a big deal with many drivers then, including Paul Newman and I believe at least one of the Smothers Brothers drove there - where my brother Bob worked as a pit mechanic. Got to meet John Wayne there one day as I had many big celebrities then. At four, I'm told I was not too diplomatic which, once I was returned home to my mother, who when she heard that I had been less than servile to Mr. Wayne, made certain the only hair left on my head was that which did not fall out with harsh tugs. You'd think I'd learn.]

TruthDig helps debunk the myth of John "The Duke" Wayne who, even for his time, seems to have been something of a racist, rah-rah America type offscreen as well as on who rooted for war but did not fight. This from a man whose real first name is "Miriam" or "Marion" or something.

Wayne’s motion picture persona is associated with cowboys and soldiers. In fact, he was neither.

Wayne was full of contradictions. Although the star of countless Westerns such as John Ford’s 1939 “Stagecoach” and 1953’s “Hondo” owned a ranch, the Duke “didn’t particularly like horses and preferred suits and tuxedos to chaps, jeans and boots,” according to his son, Michael Wayne. The prototypical cowpoke also favored the sea over the prairie.

While many of his contemporaries, including Henry Fonda, Clark Gable and Ronald Reagan, served in the armed forces during World War II, the lead in such wartime sagas as 1945’s “They Were Expendable,” 1948’s “Fort Apache” and 1968’s “The Green Berets” did not. Wayne was not only missing in action during the 1940s’ liberation of the Philippines and Europe, he wasn’t a cavalry officer, a Vietnam commando or a Leatherneck—flying or otherwise—for he was never in the military.

According to Gary Wills’ book “John Wayne’s America,” the man who portrayed the archetypal, battle-hardened Marine, Sgt. Stryker, in 1949’s “The Sands of Iwo Jima,” actually avoided the draft during WWII. Wills contends that the Duke did not reply to letters from the Selective Service system, and applied for deferments. Apparently, Wayne—who had sought stardom during years of B-pictures following Raoul Walsh’s 1930 frontier drama “The Big Trail”—got his big break during the struggle against fascism when many Hollywood action heroes like Tyrone Power enlisted and shipped out overseas.

With much of the competition away in the Pacific and European theaters, Wayne was able to storm movie theaters to solidify his stardom. While Jimmy Stewart and his fellow celebrity servicemen were real action heroes, Wayne was a “Lights! Cameras! Action!” hero who merely played the part in the safety of Tinseltown’s home front and back lot.

So Duke dodged military service, just like Dick Cheney and George Bush. What a (yawn) surprise.